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The Melbourne Writers Festival was on again last week. One of the visiting writers was Bernard Schlink. the author, most notably, of The Reader, which was made into a movie last year.
For those who don't know the story is about a German schoolboy who in the period 10 years or so after WW2 meets and forms a relationship with an older woman. Their affair is brief but memorable, particularly for an adolescent and innocent boy. They lose contact until years later, the boy now a man and studying to become a lawyer, he attends a landmark trial as part of his studies. A bunch of women, formerly guards from a concentration camp, are being tried for the horrible deaths of their charges in the last days of the war. As he sits there in the gallery he recognises one, Hanna, the woman who years before he had lost his virginity to. I won't go any further than this, except to say that the sight of her in that court room shakes him to his roots. It causes him to question and to wonder and finally, tentatively, to reach out to her. The remainder of the book examines the complex question of guilt, responsibility and justice. And love.
I had intentions to attend the festival, but left it too late, as often I do. I liked this book, and I enjoyed the movie when I saw it earlier this year, so if I had have known that Schlink was attending I might have made a better effort to be there. I've read his stories as well, and find his writing to be intelligent and gently provocative, the sort of writing that makes you stop to question easy assumptions, to go deeper than received wisdom would have you. He is a German writer who probes what it means to be German post the holocaust.
I read on the weekend about a session he was the guest speaker at. I don't know what he said, but quite aptly it was entitled 'Guilt about the Past'. Predictably maybe, it provoked some fierce comment. As I don't know what he said I can't comment on that, but I will on the wider subject of his book and the questions it poses.
The Holocaust as an event and German responsibility for it is never going to be an easy subject - which is good reason why it should be explored. Unfortunately subjects like this will often produce emotional, ill-considered and extreme reactions. You can understand that, but it's no reason to sweep it under the carpet and condemn any reasoned discussion of it with trite generalisations and cliches. Regardless of subject, that's wrong.
A couple of months ago I read a review of a new history of Germany during WW2. The reviewer in passing alludes to The Reader (book and movie) with what seemed unseemly contempt. He suggested that it was an apologia for what had happened in the war, and went further to claim that Germans had not faced up to the war, the holocaust, and their culpability.
Reading I felt a rare moment of outrage, as much for the sloppy and unprofessional thinking as anything else. Then I thought how unreasonable it was that he should be critical of a book looking to examine the very thing he accused Germans of avoiding. It was ridiculous.
For what it's worth, I'm no expert on German culture, but my sense is that Germans have had an almost unhealthy focus on the the war and their responsibility for it. And the book, far from seeking to absolve Germans is actually a very finely tuned and subtle examination of responsibility and guilt. It may offend some, but it goes way beyond stereotypes of good and evil - as literature should. Which brings us back to the Writers Festival.
There were a number of published responses to Schlink's talk, but there was one particularly that offended my intelligence. Louise Adler is a well known publisher and second generation Holocaust survivor. You would expect her to have strong opinions and fiercely held beliefs. She essentially decried the way that Hanna, the camp guard in The Reader, had been humanised in the book and film. She had been responsible for atrocities she said, and yet we were being asked to understand her. This much I could appreciate reading, it was an entirely understandable objection, though not one I could agree with.
Her next comments though went to the very heart of the difference in our perspectives, and perhaps our philosophies. "What the Holocaust demands of us is distance, not closeness," she said.
It took me a moment for this to sink in. What was she saying? What does she mean by distance? That we should put it up on the top shelf and never examine it? That it is too horrible an event to explain? And then as I reflected further it seemed to me to be a puerile, glib remark that sounds cleverer than what it is.
Don't get me wrong on this. In the history of mankind there is no more tragic, barbarous event than the Holocaust. As for those who perpetrated those crimes they should be tracked down and held to account for what they did. It's not about retribution, not in my eyes anyway, rather it is an acknowledgement of what happened. With that accounting done I would let them go - I see no value in locking up old men for what they did 60 years ago, no matter how heinous.
These are the realities of justice, of crime and punishment, they are the bedrock upon which our society is built. It is black and white - in the eyes of the law one is either guilty or innocent, and dealt with accordingly. That is as it should be, yet nothing in the world is purely black and white. Schlink, a lawyer himself and student of the judicial process, knows this.
Around the world right now there are doddery old men at large who once committed terrible crimes. Many will have lived lives of unimpeachable virtue since. They will have families, wives and children and grandchildren who know nothing of what they did and love them instead for the kindly old man they are. Some will be remorseful for what they did, they will show contrition for what they were a willing part of. Is it enough? No. Is it something? Yes. Should they be absolved? No - but nor should we deny their existence as human beings.
There are few people in life who are pure evil. We are all a combination of virtues and vices that may tilt one way or another according to circumstances. All of us have human frailties. Most of us will never do anything worse than speed occasionally, or cross the road against the lights. Most of us will live lives of bland mediocrity within the happy embrace of our family and friends.
Books like The Reader are necessary because they disturb that neat little picture. It is easy to believe that the war criminals we read of are demons, and comforting to our peace of mind. It's unhealthy though, the intellectual equivalent of closing our eyes to what we don't want to see, to keeping things at a 'distance'. The law may be black and white, but we live our lives in shades of grey, questioning, wondering, uncertain sometimes as to what is right, and forever doing battle with the complexities of leading a moral life. We all know it is wrong to take another life, but is it wrong to love someone who has? Beneath the surface little is simple.
Perhaps pure evil exists, but most people guilty of momentary acts of evil are likely little different from you and I. They are condemned forever for what they have done, but it is in our interests to understand how this comes to be, and to remember that human nature is infinitely complex. No good is served by turning our back on it.
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