The last week I’ve been making my way into and from work listening to the latest Phillip Roth novel, Everyman, on my iPod. I looked forward to the experience each time I slipped on my headphones. Sitting on my tram or shivering as I walked down the wintry streets I would be happily transported to this alternate world made live in the warm voice of the narrator, piped into my head, my ears warm in the felt of the headphones, the world around me moving, active, but strangely mute as instead I was privy to the intimate details of this man’s life – the everyman – of the title.
The story line is pretty simple, but compelling. The novel starts at the graveside of the everyman, he is dead, his brother speaks movingly of him, his daughter grieves, his estranged sons make token gestures, and then the soil by the side of the grave is dropped upon his coffin, buried as he is in the same cemetery as his parents. So the novel starts at the end – and then moves backwards.
We are introduced to this everyman – a person who is meant to be representative of many of us, a man who if he is in any way extraordinary is so in ordinary ways. He is a man thrice married, with children from two of the marriages. He has led a relatively successfully career in an advertising agency, has had a few affairs along the way, and made his mistakes. He is human, flawed, good in most ways, intelligent, and reasonably perceptive, if only after the fact sometimes. The story ranges backwards and forwards, from his childhood, through episodes of his adult life, the important moments, the important people, to his health problems and the years of his retirement. Bit by bit a picture builds of this person, rich and true. He is a real character, someone you can imagine, that encapsulated in that world contained in your headphones you can hear. I grew to like him, to care for him, even as I knew where it was going.
I went for a walk Thursday night. It was very cold, as most of the days and all of the nights have been lately. The cold stung on the bare skin of my cheeks. Walking I bumped into the wife of an acquaintance of mine, a woman I like, and so chatted to her. And then I plugged the iPod back in and listened to this story as it wound to its end.
I was due at the hairdressers but I paused on a street corner in the dark to hear the end of the story. The trams went by disgorging commuters late home from work. A man in a third floor apartment appeared in a lighted window before pulling the blind. A woman walked by as I leaned against a pole. I listened and looked at these things, thinking even as I listened, this is now, the knowledge of that deepened by what I was listening to, the last innocent moments of a man not knowing these were his last moments, but aware but one day he would join his parents. This is the transient reality.
Then it ended. He went into an operating theatre and never came out. I switched off my iPod and went into the salon.
One of the reasons I was so captured by this book was the sheer depressing reality of it. We’re all going to die, probably, and this is what it boils down to, near enough – about 5 hours worth of prose. There's more to life to that in the living, but when all is said and done, how much more?
It was a question I asked myself in between polite conversation with the hairdresser. We do these things, we do that. We have our routines, our habits by which we recognise ourselves and others. We see our friends, we have drinks, share meals, fun while they last but gone soon enough. We may travel, and there might be an extra half hour of life in the telling. We fall in love and out of it, we have dramas - some of us more than others - and often that is when we most feel alive. It all moves forward though, the clock ticks, things fall behind us, done, complete, over, while things ahead of us come forward to meet us - before they too fall behind. Then one day there is nothing ahead of us, it is all behind.
That's where the book started, that's what hooked me, because by starting with his death everything else that was described in the book was framed by the knowledge that it was all heading to one terminal point. Phillip Roth is a great writer. He managed to make this journey meaningful because in the character of the everyman he created someone I could recognise from my own experience, and to see in him qualities I know in others.
In his descriptions of the slow breaking down of the everyman’s body, the operations year after year to repair some defect or malfunction, there is a bleak foretelling of what lies ahead of most of us in some way or form. Simpler than that there is the more prosaic decline in function, the aches, the pains, the inability to do what was once simply done.
There is a moment in the book where he reflects not just on his physical decline but also of his growing irrelevance now that he is retired. There was, he thinks, some power not just in being youthful, but in carrying within himself the potential of much more simply by being a productive member of society. The meaning was not limited by the work he did, but rather in the act of working, of doing, of being, of striving, of the potential it contained in unlocking purpose, and by extension, some kind of personal definition. This seems to me particularly masculine, and it resonated strongly with me as I read it. He was successful always, in modest ways, had loved women, been attracted to and attractive all of his life, but now in his decline he realises he has nothing to offer – nothing they want in any case – there is nothing inside him still to unveil, no magic, no mystery, no strength, there has been a loss in essence, in some manly virtue now cast aside.
Reading this I recalled a moment a few years ago now from my own life. I was at a birthday party of a friend at a restaurant in Chapel Street. Looking back I went into the night a little out of sorts for whatever reason, so that soon after eating I excused myself and went for a walk outside.
Chapel Street is an ugly place on a Saturday night, bright and clattering, thick traffic and loud music and people you don’t want to know going by, dressed up or dressed down, either way but in any case vacant and looking to be filled, filled by the lights and noise, by the sensation of being amongst all that is bright and clattering and without meaning. Or at least that’s how I saw it as I walked out that night and moved amongst them.
I had no purpose either – I just wanted to get out of where I had been. By habit I entered the large Borders store on the corner. It was bright and busy. I moved between the shelves of books and the tables with the latest best sellers. I picked up a book or two and put them down: I love book stores, but my heart was not in this either. I wandered out, then went to the toilet. There were a few guys in their early twenties there, self-consciously tough, and an older guy who seemed visibly afraid of what these loud and posturing kids might do. I took it in, did my business, and left. I felt terrible.
Nothing happened to that guy, chances are that nothing would, but his fear made him an easy target for the type of bullies that prowl places like that. Ironic it is that it is this fear that makes him more vulnerable to attack. I had no fear. I cast a look at the tough kids and they ignored me or looked away. I knew they would never take me on and knew that knowledge made me safe. It is the way of men, the sub-conscious sizing up that occurs, that assesses risk and type and pecking order. I knew that I had that look in my eye and in the way I carried myself that said stay clear. I’d always had it to the point I took it for granted. I had no reason to fear, and confidence that should anything happen then I could handle it. I knew – and they knew it to. It protected me, just as the other man’s fear made him vulnerable.
I stood outside in the concourse and surveyed the scene. It looked ugly to me, meaningless. What did it matter, I wondered, that I felt this way now? Seeing the other man had shaken me, I had felt like turning to him, pull yourself together, but in the end even that was beyond me. I felt a kind of disgust – and then I felt a kind of fear.
I’m safe now, I thought. But what about in years to come? Will I always have this aura, or will it fade? What about when I’m older, less robust, possibly less certain? Will I become vulnerable then? Will I become a likely victim? It was like I understood how things can change suddenly, how there is no guarantee that you will always have – or be – what you have and are now.
So far so good. Much of this is attitude, it shows no sign of fading, I feel as safe as I ever have, and expect for that to continue. Attitude I can control to a large degree. I can’t stop myself aging though. Like I read of this everyman, I realise that much of who I am inside myself is in those things I project, and in the promise of things I can be, or can create. They are inside me, that potential – to be attractive, to love and be loved, to create and to be engaged, part of something – it is that potential that makes up a large part of who I am.
So what happens when most of it is behind you? Perhaps there is acceptance. Perhaps you sit back and reflect and enjoy what the journey tells you. I cannot imagine that, but then I am still young and in the middle of things. I don’t want it though either. It's unsettling to think that the robust character you are now, both physically and otherwise, could one day be a thing of the distant past. What happens when things are no longer vital and breathing? What happens when you feel that diminishment and carry it with you every day? Can the mind hold it off by itself? Be mighty in the here and now, that's all you can be, all you can do. Be here now.
There are many books and other media that go over the same territory as Everyman, though in different ways (I have written myself on it previously). I remember when I was young my Mum used to play an album by Charles Aznavour. There was a song on it, a great song called Yesterday When I was Young, where the singer ruefully sings of his lost youth, wondering where it has gone, and looking back on the mistakes he made, and the unending future he always felt he had in front of him, only to find now that it does end. It's a melancholy song, but even as a kid, with years and years in front of me, I found some fascination in the solemn sentiments expressed.
It's been a few years since then, since I was a kid and went to school with all this ahead of me. I know of a few people from school who are now dead from accidents, disease, and likely there are more still that are no longer here that I am unaware of. You’d have never guessed when we were at school together but then it was always going to be, the moving finger stops and beckons, that’s the way of it. Having got this far the chances are that I’ll live to a reasonable old age, the averages say that I’ll do so much and then one day fall off the twig.
And then what happens? What do they say at my graveside? How long do they remember?
That’s for me to dictate I guess, and though I sound maudlin I don’t feel it. Listening to this book made me think about my life as if it was a tale being told, midway through. There are always frights, that won’t stop. I remember once B watching Ghost with me and the scene where the demons come from hell to claim some unfortunate soul. It is a shocking scene and B clung to me, muttering, I’ll never be bad to you again H. And even a few weeks ago watching All That Jazz I watched the prolonged death scene and it made me keenly consider what I have done, where I have mis-stepped, the wrongs I have done to others. I wondered if there was an accounting how I would measure up – I was worried.
Still, I came from the salon the other night, it was dark and cold. I got some take-away Nepalese and then walked home through the quiet streets. It seemed beautiful. This is now, I thought again. The now is good. Just have to make the now forever, and make it worth something. That’s as much as I can do, and that’s okay.
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